Simmo, Bloom and Billet Mill, Scunthorpe, 2006

Simmo, Bloom and Billet Mill, Scunthorpe, 2006

May 28, 2019

The impact of Brexit on Britain and how my work relates to Current Affairs.

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Egg Delivery Bike, Hanoi, 2016

Egg Delivery Bike, Hanoi, 2016

May 28, 2019

The lesson I learnt on my first day in Vietnam.

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Lights of Mong Kok (Original), 2016

Lights of Mong Kok (Original), 2016

May 28, 2019

New artwork made for Affordable Art Fair Hong Kong 2019.

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Shoe Repair * Shoe Shine, Manhattan, 2016

Shoe Repair * Shoe Shine, Manhattan, 2016

October 23, 2018

As development takes over these days I am desperate to capture the original features of the City.

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Village Music World, Bleecker Street, New York, 2016

Village Music World, Bleecker Street, New York, 2016

October 23, 2018

I am always on the hunt for vinyl for the Heidler & Heeps Vinyl Collection so went into Village Music World when walking down Bleecker Street.

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Binoculars, Empire State Building, 2013

Binoculars, Empire State Building, 2013

October 23, 2018

I love the original binoculars of the Empire State Building which are part of the fabric, the architecture. 

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Darkroom Daze

Darkroom Daze

October 22, 2018

We are in our Cambridge Darkroom printing ‘We_men’, an Exhibition Opening @nhow.milano on 6th November. We can’t wait for you to see it in all its glory!

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Artwork Description

We make your artworks to order in our Cambridge Studio.

Although we always send out your order as quickly as possible the artwork might take two weeks to make. If you require it urgently for a gift or interior design project get in touch before placing your order and we will advise on availability and options.

Please note when ordering artwork for shipping to Australia it may be subject to import duty which is your responsibility.

MORE INFORMATION ABOUT SIZING AND SHIPPING COMING SOON. IN THE MEANTIME GET IN TOUCH WITH ANY QUESTIONS.

Conventionally all our framed work is dry-mounted onto aluminium. This ensures a very flat image surface in the short and the long term. The prints are matted (window mounted) using a museum quality 100% cotton rag board especially manufactured to be compatible with the C-type archival Kodak photographic paper Richard uses. He makes the prints in his own dark room. The print sizes are taken from traditional photographic paper sizes. Traditionally with photographic prints they are signed and numbered on the back, they can be signed on the front of the mount by request.