Sizes may vary slightly from image to image as we make each composition from the negative individually, either showing Richard's signature ragged edge (white border) as he prints full frame or showing the film rebate (black border) often showing the film make. Where the image size varies we adjust the window mount in order to maintain a frame size so like for like sizes can hang together.
The smallest size are mounted square.
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| Format | Stated Photographic Size | Image Size cm | Image Size Inches | Mounted Size mm | Mounted Size Inches | Framed Size cm | Framed Size Inches | Price Unframed |
Price Framed+AR70 |
|
Rectangle 6x9 or 35mm |
9.5''x12'' | 17.5x27cm | 7''x10.5'' | 380x380 | 15''x15'' | 41x41x3.5cm | 16''x16''x1.5'' | ÂŁ75 | ÂŁ125 + ÂŁ20Â |
|
Rectangle 6x7 |
9.5''x12'' | 21.5x26cm | 8.5''x10.25'' | 380x380 | 15''x15'' | 41x41x3.5cm | 16''x16''x1.5'' | ÂŁ75 | ÂŁ125 + ÂŁ20 |
|
Square |
9.5''x9.5'' | 21.5x21.5cm | 8.5''x8.5'' | 380x380 | 15''x15'' | 41x41x3.5cm | 16''x16''x1.5'' | ÂŁ75 | ÂŁ125 + ÂŁ20 |
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|
Rectangle 6x9 or 35mm |
11''x16.5'' | 28x44.5cm | 11''x16.5'' | 380x518 | 15''x20.5'' | 41x54x3.5cm | 16''x21.5''x1.5'' | ÂŁ100 | ÂŁ150 + ÂŁ30 |
| Rectangle 6x7 | 11''x13.5'' | 28x34cm | 11''x13.5'' | 380x445 | 15''x17.75'' | 41x47x3.5cm | 16''x18.5''x1.5'' | ÂŁ100 | ÂŁ150 + ÂŁ30 |
| Square | 11''x11'' | 28x28cm | 11''x11'' | 380x380 | 15''x15'' | 41x41x3.5cm | 16''x16''x1.5'' | ÂŁ100 | ÂŁ150 + ÂŁ30 |
| Tape | 11''x17.5'' | 28x45cm | 11''x17.5'' | 380x550 | 15''x21.75'' | 41x57x3.5cm | 16''x22.5''x1.5'' | ÂŁ100 | ÂŁ150 + ÂŁ30 |
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| Rectangle 6x9 or 35mm | 16''x20'' | 34x51cm | 13.5''x20'' | 525x660 | 20.5''x26'' |
55x70cm Bx3.5cm Wx5cm |
21.5''x27.5'' B x1.5'' Wx3'' |
ÂŁ180 | ÂŁ260 + ÂŁ50 |
| Rectangle 6x7 | 16''x20'' | 42x51cm | 16''x20'' | 584x660 | 23''x26'' | 60x70cm Bx3.5cm Wx5cm |
24''x27.5'' Bx1.5'' Wx3'' |
ÂŁ180 | ÂŁ260 + ÂŁ50 |
| Square RH | 16''x20'' | 45x45cm | 18''x18'' | 584x584 | 23''x23'' | 60x60cm Bx3.5cm Wx5cm |
24''x24'' Bx1.5'' Wx3'' |
ÂŁ180 | ÂŁ260 + ÂŁ50 |
| Square HH + Space | 20''x20'' | 48x48cm | 19''x19'' | 584x584 | 23''x23'' | 60x60cm Bx3.5cm Wx5cm |
24''x24'' Bx1.5'' Wx3'' |
ÂŁ270 | ÂŁ350 + ÂŁ50 |
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| Tape | 43x59cm | 17''x25'' | 525x750 | 20.5''x29.5'' | 55x77cm Bx3.5cm Wx5cm |
22''x30.5'' Bx1.5'' Wx3'' |
ÂŁ200 | ÂŁ295 + ÂŁ70 | |
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| Rectangle 6x9 or 35mm |
20''x24'' | 39x58cm | 15.5''x23'' | 575x735 | 22.75''x29'' | 60x77x5cm | 23.5''x30.5''x5'' | ÂŁ300 | ÂŁ395 + ÂŁ70 |
| Rectangle 6x7 |
20''x24'' | 48x60cm | 19''x23'' | 635x735 | 25''x29'' | 67x77x5cm | 26.5''x30.5''x5'' | ÂŁ300 | ÂŁ395 + ÂŁ70 |
| Square | 24''x24'' | 61x61cm | 24''x24'' | 735x735 | 29''x29'' | 77x77x5cm | 30.5''x30.5''x5'' | ÂŁ400 | ÂŁ495 + ÂŁ70 |
| Vinyl | 27''x27'' | 73x73cm | 25''x25'' | 735x735 | 29''x29'' | 77x77x5cm | 30.5''x30.5''x5'' | ÂŁ400 | ÂŁ495 + ÂŁ70 |
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| Rectangle 6x9 or 35mm |
30''x40'' | 61x93cm | 24''x36.5'' | 818x1090 | 32''x42'' | 85x112x5cm | 33.5''x44'x5'' | ÂŁ445 | ÂŁ595 + ÂŁ105 |
| Rectangle 6x7 | 30''x40'' | 61x75cm | 25''x32'' | 818x970 | 32''x38'' | 85x100x5cm | 33.5''x39''x5'' | ÂŁ445 | ÂŁ595 + ÂŁ105 |
| Tape | 30''x40'' | 60x94cm | 23''x36'' | 777x1090 | 30.5''x42'' | 80x112x5cm | 31.5''x44''x5'' | ÂŁ445 | ÂŁ595 + ÂŁ105 |
| notext | |||||||||
| Rectangle 6x9 or 35mm | 40''x50'' | 76x109cm | 30''x43'' | 940x1280 | 37''x50'' | 98x130x5cm | 39''x51''x5'' | ÂŁ995 | ÂŁ1245 + ÂŁ250 |
| Rectangle 6x7 | 40'' x 50'' | 76x94cm | 30''x37'' | 940x1120 | 37''x44'' | 98x115x5cm | 39''x45.5''x5'' | ÂŁ895 | ÂŁ1095 + ÂŁ200 |
| Square | 40''x40'' | 76x76cm | 30''x30'' | 940x940 | 37''x37 | 98x98x5cm | 39''x39''x5'' | ÂŁ895 | ÂŁ1095 + ÂŁ200 |
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Artwork DescriptionÂ
Richard makes c-type prints from negative in his own analogue colour darkroom in Cambridge. His paper of choice is Fuji Crystal Professional Archive Maxima (since Kodak Professional Endura Premier Gloss was discontinued in 2023). When Richard has chosen to evolve the artwork, we work with Streamline Colour Lab. In our studio the print is dry-mounted to dibond which ensures a very flat image surface in both the short and long term. The prints are window mounted (matted) using a museum quality 100% cotton rag board especially manufactured to be compatible with the C-type archival photographic paper Richard uses. Richard does all mounting himself, using his precision engineering background to create the finished artwork. Eleanor fits the artworks to the frames. Traditionally photographic prints are signed and numbered on the back, accompanied by a certificate of authenticity. They can be signed on the front of the mount by request. If you would like us to make a larger artwork that is possible, the sizes listed are the largest we can make in our darkroom but we can go larger with our printing partners so please get in touch to discuss it.
Framing Description Â
Our frames are hand-made in the UK. We offer a choice of black or white wooden box frames which have depth to suit the size of the picture, the artwork set back from the glass. Our black frames are made from matt ebony stained obeche, in which you can see the detail of the wood grain whereas our white frames are made from beech and the wood grain is not visible. The wood is sustainably forested for both variations of frame. Artglass AR 70™ is a premium anti-reflective glass used by the finest museums around the world. If you would like to present you artwork in another way, we offer the choice to buy an unframed print only and can advise you on other options or recommend reputable companies to carry out the work.