Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting. Their unique darkroom process, like an x-ray, reveals the detailed make-up of the stamp, which is not possible to see in the physical object. Nearly all take the appearance of a woven tapestry, intricate patterns and artworks from the 19th & 20th Century, are brought to life to be appreciated in the present day. And with the practice of stamp collecting enjoyed by todays older generation when they were children, the exotic imagery takes you to a far off land in a time when overseas travel was limited, the post marks make a physical connection with unknown people around the world. The collection is a documentary of history, dated postmarks connect the images to a time unimaginable and with these artworks you can carry on the British Psyche of ‘collecting’ building your own Heidler & Heeps Stamp Collection, with the pieces that speak to you. Interestingly you will notice the imperfections and some of the writing and numbers in reverse and colours quite different to an actual stamp, in stamp collecting that is what makes a stamp valuable, small runs made with errors, but I’m sure you will agree that is what makes them all the more intriguingly beautiful.
We make your artworks to order in our Cambridge Studio.
Although we always send out your order as quickly as possible the artwork might take two weeks to make. If you require it urgently for a gift or interior design project get in touch before placing your order and we will advise on availability and options.
Please note when ordering artwork for shipping to Australia it may be subject to import duty which is your responsibility.
MORE INFORMATION ABOUT SIZING AND SHIPPING COMING SOON. IN THE MEANTIME GET IN TOUCH WITH ANY QUESTIONS.
Conventionally all our framed work is dry-mounted onto aluminium. This ensures a very flat image surface in the short and the long term. The prints are matted (window mounted) using a museum quality 100% cotton rag board especially manufactured to be compatible with the C-type archival Kodak photographic paper Richard uses. He makes the prints in his own dark room. The print sizes are taken from traditional photographic paper sizes. Traditionally with photographic prints they are signed and numbered on the back, they can be signed on the front of the mount by request.