Billiard Table, Stow-cum-Quy 1993

Size Guide

Project Brief : In the late nineteen-sixties, my father used to drive the whole family to the Fens north of Cambridge every Sunday afternoon. These outings in the car became a pilgrimage of sorts: a journey to another land. There was no direction or intent to the different routes that we journeyed along, we were simply responding to the landscape; exploring what seemed exciting at the moment.

We called these weekly excursions “Fen Hunting” as we noticed over time a wide variety of unusual landscape features. We were looking for things that broke the vast horizon: the shrinkage of Fenland peat and Bog Oaks, scarecrows, and the subsidence of houses cracking and exposing the foundations.

From the confines of the car, the world was framed for our view. We felt as though the car was leading the way, taking us here and there through some desire or instinct of it’s own. We went along for the ride with a spirit of curiosity and adventure. When the car stopped, we would step out and experience the magnificent views, no longer restricted by the frames of the windows. At night, the car became a ship that safely contained us and carried us back across the Fenland Sea.

Looking back, these early, aimless drives may have been the start of my photographic apprenticeship. When my father left the car to take photographs, I sat in the back creating imaginary images of my own. Since then, I have returned to the Fens with my camera for many different projects, but I always seem to take pictures from the position of being contained in my own car (one very similar to my father’s) as I had done as a child.

While the Fens may have changed over the years, my own experience of them has been one of unbroken continuity. I have been, and still am, exploring the unique fabric of the place from within the Car with Wings.


Related Items

Size Guide & Artwork Description

Sizes may vary slightly from image to image as we make each composition from the negative individually, either showing Richard's signature ragged edge (white border) as he prints full frame or showing the film rebate (black border) often showing the film make. Where the image size varies we adjust the window mount in order to maintain a frame size so like for like sizes can hang together.

 

Format Stated Photographic Size Image Size cm Image Size Inches Mounted Size mm Mounted Size Inches Framed Size cm Framed Size Inches Price Unframed

Price Framed+AR70

Rectangle 6x9 or 35mm

9.5''x12'' 17.5x27cm 7''x10.25'' 380x380 15''x15'' 41x41x3.5cm 16''x16''x1.5'' £75 £125 + £20 

Rectangle 6x7

9.5''x12'' 21.5x26cm 8.5''x10.25'' 380x380 15''x15'' 41x41x3.5cm 16''x16''x1.5'' £75 £125 + £20

Square

9.5''x9.5'' 21.5x21.5cm 8.5''x8.5'' 380x380 15''x15'' 41x41x3.5cm 16''x16''x1.5'' £75 £125 + £20
no text

Rectangle 6x9 or 35mm

11''x16.5'' 28x44.5cm 11''x16.5'' 380x518 15''x20.5'' 41x54x3.5cm 16''x21.5''x1.5'' £100 £150 + £30
Rectangle 6x7 11''x13.5'' 28x34cm 11''x13.5'' 380x445 15''x17.75'' 41x47x3.5cm 16''x18.5''x1.5'' £100 £150 + £30
Square 11''x11'' 28x28cm 11''x11'' 380x380 15''x15'' 41x41x3.5cm 16''x16''x1.5'' £100 £150 + £30
Tape 11''x17.5'' 28x45cm 11''x17.5'' 380x550 15''x21.75'' 41x57x3.5cm 16''x22.5''x1.5'' £100 £150 + £30
no text
Rectangle 6x9 or 35mm 16''x20'' 34x51cm 13.5''x20'' 525x660 20.5''x26'' 55x70cm
Bx3.5cm
Wx5cm
22''x24''
B x1.5''
Wx3''
£180 £260 + £50
Rectangle 6x7 16''x20'' 42x51cm 16.5''x20'' 584x660 23''x26'' 60x70cm
Bx3.5cm
Wx5cm
24''x27.5''
Bx1.5''
Wx3''
£180 £260 + £50
Square RH 16''x20'' 45x45cm 18''x18'' 584x584 23''x23'' 60x60cm
Bx3.5cm
Wx5cm
24''x24''
Bx1.5''
Wx3''
£180 £260 + £50
Square HH + Space 20''x20'' 48x48cm 19''x19'' 584x584 23''x23'' 60x60cm
Bx3.5cm
Wx5cm
24''x24''
Bx1.5''
Wx3''
£270 £350 + £50
no text
Tape 43x59cm 17''x25'' 525x750 20.5''x29.5'' 55x77cm
Bx3.5cm
Wx5cm
22''x30.5''
Bx1.5''
Wx3''
£200 £295 + £70
no text
Rectangle
6x9 or 35mm
20''x24'' 39x58cm 15.5''x23'' 575x735 22.75''x29'' 60x77x5cm 23.5''x30.5''x5'' £300 £395 + £70
Rectangle
6x7
20''x24'' 48x60cm 19''x23.75'' 635x735 25''x29'' 67x77x5cm 26.5''x30.5''x5'' £300 £395 + £70
Square 24''x24'' 61x61cm 24''x24'' 735x735 29''x29'' 77x77x5cm 30.5''x30.5''x5'' £400 £495 + £70
Vinyl 27''x27'' 73x73cm 25''x25'' 735x735 29''x29'' 77x77x5cm 30.5''x30.5''x5'' £400 £495 + £70
no text
Rectangle
6x9 or 35mm
30''x40'' 61x93cm 24''x36.5'' 818x1090 32''x42'' 85x112x5cm 33.5''x44'x5'' £445 £595 + £105
Rectangle 6x7 30''x40'' 61x75cm 24''x30'' 818x970 32''x38'' 85x100x5cm 33.5''x39''x5'' £445 £595 + £105
Tape 30''x40'' 60x94cm 23''x37'' 777x1090 30.5''x42'' 80x112x5cm 31.5''x44''x5'' £445 £595 + £105
notext
Rectangle 6x9 or 35mm 40''x50'' 76x109cm 30''x43'' 940x1280 37''x50'' 98x130x5cm 39''x51''x5'' £895 £1095 + £200
Rectangle 6x7 40'' x 50'' 76x94cm 30''x37'' 940x1120 37''x44'' 98x115x5cm 39''x45.5''x5'' £895 £1095 + £200
Square 40''x40'' 76x76cm 30''x30'' 940x940 37''x37 98x98x5cm 39''x39''x5'' £895 £1095 + £200

 

Artwork Description 

Richard makes the c-type prints from negative in his own analogue colour darkroom in Cambridge. His paper of choice is Kodak Professional Endura Premier Gloss. When Richard has chosen to evolve the artwork, we work with Streamline Colour Lab. In our studio the print is dry-mounted to dibond which ensures a very flat image surface in both the short and long term. The prints are matted (window mounted) using a museum quality 100% cotton rag board especially manufactured to be compatible with the C-type archival Kodak photographic paper Richard uses. Richard does all mounting himself, using his precision engineering background to create the finished artwork. Eleanor fits the artworks to the frames. Traditionally photographic prints are signed and numbered on the back, accompanied by a certificate of authenticity. They can be signed on the front of the mount by request. If you would like us to make a larger artwork that is possible, the sizes listed are the largest we can make in our darkroom but we can go larger with our printing partners so please get in touch to discuss it.

Framing Description  

Our frames are hand-made in the UK by Menor Photographic Fine Art Printing & Framing Specialists in Hertfordshire. We offer a choice of black or white wooden box frames which have depth to suit the size of the picture, the artwork set back from the glass. Our black frames are made from matt ebony stained obeche, in which you can see the detail of the wood grain whereas our white frames are made from beech and the wood grain is not visible. The wood is sustainably forested for both variations of frame. Artglass AR 70™ is a premium anti-reflective glass used by the finest museums around the world. If you would like to present you artwork in another way, we offer the choice to buy an unframed print only and can advise you on other options or recommend reputable companies to carry out the work.